Slate Digital Virtual Console Collection Rare

14.12.2020by
Slate Digital Virtual Console Collection Rare Rating: 9,7/10 324 votes

The Slate Digital Virtual Console Collection Plug-in Bundle, brings the sound of 4 of the world's top analog consoles into your DAW workstation! Slate Digital Virtual Console Collection V2 Plug-in Bundle Details.

32-bit / 64-bit

Channel Strip by Slate Digital

REQUIRESGET IT HERE

Important Note: An iLok USB Key is required for authorisation of this software.

The Slate Digital Virtual Tube Collection is a set of three plugins for Virtual Mix Rack that recreate the sound of classic vintage tube circuits. Each module can act as a preamp, a saturator, and even a virtual tube summing console. Using VTC, you can add color, warmth, depth, and vibe to your mixes and masters. VMS users can also use VTC preamps with the microphone models for rich and vibey tone on their tracks.

The Modules

Hollywood

Hollywood is perhaps the most colorful of the three modules, and it’s got some beautiful air, depth, excitement, and some really big bottom! Use it on boost mode and make your tracks come alive. It’s fantastic when paired with some of the vintage VMS mics to add some extra top end flavor and warm lows. In console mode, it can simply transform a lifeless mix into something larger than life.

London Pdf to txt converter os x.

Slate Digital Virtual Console

London is inspired by some vintage tube circuits originating from Europe. The sound is big, warm and bold in the lows and low mids, and slightly smooth in the top end. The transient response has a slight thickness to it without being overly aggressive. London sounds amazing for fattening up tracks in preamp mode, or thickening things up with it’s preamp saturation, and can add fat analog body in Console mode on the whole mix.

New York

New York is inspired by some vintage tube circuits with a hint of inspiration from some New York solid state discrete circuits to give it some tightness and impact. New York is aggressive in the mids, and tighter in the lows due its unique dynamic harmonic saturation. It can add incredible focus and punch to tracks in preamp mode, especially in boost mode. It’s also an all around winner for many genres in console mode when used on the master fader. You really dial in the saturation with New York and then find the perfect blend with the mix knob

Example Uses:

  • Use Preamp with Boost across tracks to add vibe and color
  • and remove digital cleanliness
  • Use Console as first insert on mixbuss with a bit of saturation to add weight, glue, and analog color to whole mix
  • Use Preamp or Console saturation on drums, vocals, guitar and keys
  • Use Preamp distortion with mix knob to add thickness and warmth to tracks like vocals, snare, toms, drum buss, or even whole mix.
  • Use Console saturation in mastering chain to reduce peaks in a warm and punchy way

Features

  • Output VU Meter: Monitors the output signal level, i.e. after the Mix. The meter is calibrated to display OVU when being fed by 1KHz sinewave with a peak level of -18dBFS
  • Clipping Bulb: Helps to visualize how much the signal is being clipped
  • Colour (Normal/Boost): On Normal mode the Module recreates realistic properties of the tube circuits. Boost amplifies these non-linearities to add even more expression, colour and vibe
  • Mode (Preamp/Console): This chooses which algorithm is selected in each VTC module. Preamp models a tune preamp circuit and therefore the saturation will emulate cranking the input amplifier, while attenuating an output trim. In Console mode the module emulates a tube summing circuit, including unique crosstalk and saturation properties
  • Saturation: In Preamp mode this will emulate the tone of the preamp saturation. For most audio sources this will be more subtle up to 12 o'clock, and then it will start to get more severe, likely ending up in rich tube distortion. In Console Mode, the saturation replicates mix-bus overdrive (such as when you push faders hot into the master section of the console), so it is more forgiving and can add a thick, 'glue-like,' colourful tone when pushed harder
  • High Pass Filter: When used as a preamp to enhance the tone of clean preamps, the 6db/oct hi-pass can clean up low rumble if needed
  • Output Gain: Controls the output level of the processor
  • Mix: This controls the balance between the dry and wet unprocessed signal. This parameter is great when using preamp mode to add some thick distortion (i.e. to a snare drum or vocal), before blending the distortion back

System Requirements

Mac:

  • OS X 10.7 or later (32 and 64-bit)
  • Mac Dual-Core Intel Processor, 4GB RAM
  • Plugin Formats: VST2, VST3, AudioUnit - AU, AAX
  • AniLok USB Key is required to run this software

Windows:

  • Windows 7 or later (32 and 64-bit)
  • Dual-Core Intel or AMD Processor, 4GG RAM
  • Plugin Formats: VST2, VST3, AAX
  • AniLok USB Key is required to run this software

Note:

  • An iLok USB Key is required for authorisation of this software. Refunds will not be granted for customers who purchase this product and do not own an iLok
  • AAX 64-bit availability for Pro Tools 11+ compatibility

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Product Reviews

  • Slate Digital Virtual Tube Collection review at MissionMusician.com

    Today I want to share with you my Slate Digital Virtual Tube Collection Review. Very rarely do I get super excited about a new plug in. Why?..

Slate Digital Virtual Console Collection Vcc V1 5 2 Macosx

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